Showing posts with label Movies. Show all posts
Showing posts with label Movies. Show all posts

Monday, July 18, 2011

Music and Movies: History of the Soundtrack - Pt 1

Music and film have always gone together. In fact, before 'talkies' came along, the only sound you'd hear in a silent movie would be music. Silent film star, Charlie Chaplin was one of the finest physical comedians to ever grace the silver screen. But despite this, without music in the background, even his best films would be missing something. There's no doubt about it, music adds an emotional element to whatever may be occurring on film. Music can enhance and punctuate the entire spectrum of human emotion. Can anyone imagine a movie without music? Would you even want to?

One the first great musicals, the 1939 fantasy masterpiece and timeless classic, "The Wizard of Oz", starring the velvet voiced Judy Garland, is probably most peoples' first exposure to a movie musical. The longtime children's classic about a Kansas farm-girl named, Dorothy, who, along with her dog, Toto, is whisked away by a tornado to the magical land of Oz. There she befriends many strange and wonderful characters and makes a serious enemy in the form of a wicked witch, as she tries to get back home. Along with the imaginative story, the songs such as, "Somewhere Over the Rainbow" and "Ding Dong, the Witch is Dead!", have since become a part of our popular culture. That same year, the first full length color film, the sweeping epic, "Gone With the Wind", about life in the south before,during, and after the civil war. The film's main musical theme was widely popular and still recognizable even today. Another very popular soundtrack was Walt Disney's first full length animated film, the classic, "Snow White and the Seven Dwarfs". Released in 1937, Snow White made musical and movie history by being the first film to have it's soundtrack transferred to record disk. Other notable Disney film soundtracks were 1940's "Pinocchio" and the animated and live action, "Mary Poppins", released in 1964.

In 1955, Rodgers and Hammerstein's broadway musical, "Oklahoma", was brought to the big screen. Director, Fred Zinnemann fillmed the movie in the wide open spaces of Arizona. The visually beautiful film was big, bright, and colorful. However, the cinematography did not overpower Rodgers and Hammerstein's musical score, but rather complemented it. Oklahoma is classic musical film fare for all audiences. Remember "Oh What a Beautiful Mornin"? That song, along with other classics graced the film's soundtrack. Another Rodgers and Hammerstein musical brought to the big screen in 1965 with movie classic results, is the beautifully filmed, "Sound of Music". The memorable songs and Julie Andrew's outstanding performance as the governess of a wealthy man's children in Nazi occupied Austria, is a wonderful musical about the human spirit's ability to be uplifted by song in the face of unspeakable madness.

In 1961, we saw a musical retelling of Shakespeare's,"Romeo and Juliet" in the film "West Side Story". Starring the beautiful Natalie Wood, the story revolves around two rival gangs, the 'Jets', a white gang, and a Hispanic gang called the 'Sharks'. Complications arise when Maria,(Wood), the sister of the Sharks gang leader falls in love with the leader of the Jets. True, the fighting/dancing sequences are a bit corny, but the songs in the film, such as, "Somewhere", "I Feel Pretty", and of course, "When You're a Jet" are all classics. In fact, the 2003 film, "Anger Management", starring Adam Sandler and Jack Nicholson, there's a scene in which Nicholson playfully goads Sandler into singing, "I Feel Pretty", to ease his tensions. 42 years later, and yes, youthful audiences may not have known where the song came from, but they recognized it.


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Saturday, July 9, 2011

Music Licensing and Making Movies

Making movies and securing music for a soundtrack go hand in hand. Indie filmmakers and indie music producers are starting to connect more. This is a really cool thing happening right now. Indie filmmakers want quality music for their project and indie music labels want to get their artists more exposure. Cross-promotion is what really makes working at the independent entertainment level thrive.

The reality is an indie produced movie is not going to be able to swing the cost of music licensing to use a song from the Rolling Stones or Jay-Z on their movie soundtrack. Every indie filmmaker out there I would bet has thought how bad ass it would be to use a certain song in their movie. I personally would love to use the Rolling Stones - Sympathy for the Devil in the horror movie Psoro as a producer.

That's just not going to happen on an indie movie budget. This is why indie filmmakers and indie record labels are starting to pull together. Being greedy at the indie level makes no sense to me. It is night and day between working on studio backed movies and indie driven movies fueled by sweat equity. That's why I like to go to the street so to speak to find music for movie soundtracks.

Reaching out to music artists and music producers that have indie labels is a good way to get killer tracks that add production value to your completed movie. It works the other way when music artists reach out to indie filmmakers with their creative goods. The truth is that we all need exposure in the entertainment business. Without it your career ends up in a ditch bloated with flies hovering around it and some kid poking the corpse with the shitty end of a stick.

For filmmaking purists that might be reading this I'm not touching on scoring a film. That's another wild animal to me entirely. This is focused on already completed tracks that can be used in opening and ending credits, plus in certain scenes like Quentin Tarantino does in his movies. The music sometimes has as much impact as the visuals. Music licensing doesn't have to be complicated or empty your pocket.

When you're an indie movie producer you need to make things happen. It feels damn good to get a movie shot and start post-production. It feels better to have music licensing agreements in place before you cut one scene. Movie editors can vibe off certain tracks you're going to use. This makes your finished film the best it can be with the resources you used to make it.

If you come across an indie record label or artist hit them up with an email about using one of their songs in your movie. It could cost you some money or not. One thing for sure is won't come close to anything the Rolling Stones or Jay-Z record labels would charge for music licensing. There is always a flip side to the entertainment business. It could be you're approached by a record label or artist that wants to submit their music to be used on the movie soundtrack.

That works. To keep things even and straightforward do what you say you're going to do as a producer. Send them the music license agreement terms upfront. Let them know that their track might not be used at all. Shit happens during editing of a movie that can change where their music was going to play. When their music is used give them proper credit that includes written by, performed by and any other information they want known regarding the track.

Times are changing. It's not always that an indie filmmaker has to pay the music label. I've been learning of a shift where sometimes the music label has to pay the production company. It's like product placement. The best music licensing agreements to me are the pay it forward type. No money is exchanged. What is exchanged is a good faith effort to cross-promote the movie and music. I would love to see a new music artist get exposure off a movie that I produced and vice versa.

I'm not in the entertainment business to screw anybody over. I don't want to get screwed over. Writing, directing and producing movies is a passion that will never die as long as I'm here. I appreciate what music adds to each and every scene in a movie. I'm working on finding completed tracks for the horror movie Psoro soundtrack. Director Wayne Daniells and visual artist Paul While are working hard to deliver shocking gore. I'm working to deliver the music that makes this a cult classic. This is indie filmmaker Sid Kali typing cue music licensing.

Get the inside scoop on writing, producing, directing, and movie distribution at Slice Of Americana Films. Check out the life and times of filmmaker Sid Kali.


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