Showing posts with label Improve. Show all posts
Showing posts with label Improve. Show all posts

Monday, July 18, 2011

How To Improve Your Lead Guitar Playing

Do you have a hard time coming up with guitar solos that sound like real music instead of a "combination of guitar licks"? Have you spent a lot of time looking for countless guitar exercises, new scales and guitar licks to play on the internet, only to realize later that these things are NOT making you a better lead guitar player?

The guitarists who attempt to make their guitar solos more creative by using the approach above, typically end up frustrated with their slow rate of progress and start to lose hope in their potential to become great guitarists. Very often they also start to believe in the common misconception that their ability to create great guitar solos is restricted by their amount of natural talent.

Fortunately, it IS possible for anyone to greatly improve their lead guitar soloing skills with the right approach. If you haven't reached this goal yet, I want to show you the most common reasons why guitar players struggle with creating truly GREAT guitar solos and give you the steps you can take now to massively improve your lead guitar playing.

The truth is that most guitar players focus on entirely the wrong things when trying to improve their lead guitar soloing and improvising skills. Many guitarists assume that the solution to their guitar soloing challenges is in learning more "new" skills (innovative soloing concepts, new guitar licks/scales/arpeggios etc...). In reality, simply acquiring new musical skills will not (in and of itself) make your lead guitar playing better, just like having a lot of ingredients in the kitchen will NOT make you a "better" cook. While having a lot of musical skills will give you more options to choose from, these skills will NOT "increase your ability" to create great guitar solos until and unless you learn how to "integrate" them to make the best musical choices possible in any musical situation. For the vast majority of musicians, it is this lack of ability to fluently APPLY and INTEGRATE their existing skills that prevents them from mastering the art of lead guitar soloing.

Now that you understand more about why the traditional ways of improving your guitar solos are ineffective, here are some specific steps you need to take to begin to integrate your existing lead guitar playing skills on a deeper level and greatly improve your guitar solos in the process.
Learn The Guitar Fretboard Inside And Out - True mastery of the guitar neck goes much deeper than simply being able to identify a specific note/fret on the guitar. In order to really know your way around the guitar, you need to be able to play all the scales and chords used in your style of music everywhere on the neck, and be able to combine these shapes fluently. Guitar players - from Jimmy Page and Stevie Ray Vaughn to Randy Rhoads and Eddie Van Halen - all have/had this exceptional awareness of scales and chord shapes on the fretboard. This skill enabled them to improvise great guitar solos effortlessly in any key without "getting lost". In contrast, guitarists who struggle with making their lead guitar solos sound like music, often do not have this skill well developed and become stuck with soloing in the same 1-2 positions every time they play lead guitar. Regardless of how many scales you actually know, if you cannot fluently play them all over the guitar neck, you will have a VERY hard time with using them creatively in your lead guitar soloing.
Master Aural Skills (Train Your Ear To The Fullest) - Most guitar players (even the RARE few who actually practice ear training exercises on a regular basis) do not have a clear understanding of what it really means to "have a good ear for music". It is commonly believed that ear training is all about "being able to identify any interval, chord, or scale" after hearing it. Although this skill IS "a part of" having a good ear, in reality, ear training plays a much deeper role for your lead guitar playing. At the highest level, aural skills are "the link" between all of your musical skills (guitar technique, music theory knowledge, phrasing, mastery of scales and chords and more) that enable them to work TOGETHER to create the most expressive guitar solos possible. Master musicians use their ears to imagine the music they want to hear and direct their hands to produce that sound on the instrument as quickly and naturally as you speak your thoughts when holding a conversation. Without good aural skills, your musical skills can only work in isolation and your ability to create great guitar solos will forever remain limited (more on this below).
Create Music With Your Mind Instead Of Your Hands - Most guitarists approach the process of lead guitar soloing in a mechanical way by "playing scales over chords". After learning the key of the chord progression, most musicians simply begin to solo by running through familiar scale shapes and licks. Essentially their mind goes on autopilot and all of the "creating" is done with the hands.

In contrast, great lead guitar players rely on their ears and their mind to imagine what they want to hear before playing a single note, and use their hands (guitar technique) as well as their music theory knowledge, mastery of the fretboard, and other musical skills to express what the mind wants to hear. Although they also end up "playing scales over chords", the overall level of creativity and expression achieved is much greater because all of their musical tools/skills are integrated together as one "creative whole".

Although the steps above happen very fast (and almost always occur on a subconscious level), this kind of thought process is key to creating truly great guitar solos.

The most important thing I want you to notice is that most of what actually "creates" a great guitar solo needs to be done with your mind and your ears. This is totally different from the thinking process of inexperienced guitarists, whose guitar solos are merely an attempt to "fill up space/silence with notes".
Continuously Work On Your Guitar Phrasing - Many lead guitar players continuously search for "notes to play" but neglect looking for better ways of HOW to play (phrase) those notes. Good guitar phrasing involves much more than applying an occasional bend or vibrato to a note. When I train my students how to master guitar phrasing, I show them how this skill consists of "macro" and "micro" level components. "Macro" level phrasing refers to how each phrase fits into the big picture of the lead guitar solo and the song itself (much like phrases flow in a conversation). "Micro" level phrasing deals with ornamentation applied to individual pitches of the phrase. It is important to understand the difference between the two components and to have effective strategies for training both of these areas of phrasing.
Get Regular Feedback On Your Lead Guitar Soloing From More Experienced Guitarists Or From A Guitar Teacher - Unlike improving your guitar speed, where you can measure your own progress in a tangible way, improving your lead guitar playing is a very "intangible" skill. This means two things:

1. It is very hard to become aware of specific flaws in your lead guitar soloing when you don't know what things you should be listening for.

2. It is also challenging to determine whether or not your guitar solos are actually improving and what areas of your lead guitar playing still need work.

You will make the fastest progress when you have your guitar solos analyzed by a guitar teacher who can not only point out specific flaws in your guitar playing but also can create an effective lesson strategy to help you overcome the specific challenges that are holding you back from creating truly great guitar solos.

Now that you understand more about what it takes to improve your lead guitar playing, you should become excited as you realize that all of your musical goals are entirely within your control to achieve. When you begin to implement the steps I have outlined above, your lead guitar soloing skills begin to improve rapidly.

Tom Hess is a highly successful online guitar teacher, touring musician and a guitar player for the band Rhapsody Of Fire. He teaches guitar players around the world in his online guitar lessons. Visit tomhess.net to get free guitar playing resources and to read more guitar playing articles.


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How To Improve The Sound Of Your Les Paul Electric Guitar

So here's the situation - you have spent your hard earned funds on your dream Epiphone Les Paul and now you would like way more from it in the sound area. You're happy with how it looks and yes, of course you'd have preferred a Gibson original, but resources dictated that the Epi was the way to proceed. Unfortunately now the sound it produces is now starting to bug you - so what's the solution?

Let's start up by declaring that the Epiphone LP is a respectable guitar in anyone's book. To the beginner's eye these are considered pretty much equal to the real thing. Yes the maple top is a thin laminate and not the chunky carved top found on the Gibson, but there is a substantial price difference and in my view they represent fantastic value for money.

So why is it that they appear to sound a bit too weak?

The guitar's sound is the buildup of a number of elements, and all the the features on the Epiphone are slightly inferior to its more expensive big brother. The wood, the hardware and especially the pickups have an effect on the overall sound but in my view it's the guitar pickups that let it down the most, and luckily this is something that is simply upgraded with aftermarket designs.

You will notice a lot of choices available to choose from when it comes to picking a splendid set of humbuckers. You will notice the established old boys such as Seymour Duncan and Di Marzio and then there are the newer boutique, hand winding firms. I have long been a fan of Seymour Duncan but I love the new boutique crew. The good ones make use of excellent materials and wind meticulously by hand. Some of them provide an excellent alternative to the 'old firm'.

When it comes to the sound, it is down to you as every guitar player wants something different. Visit numerous websites, investigate the various guitar pickup specs and maybe listen to a number of sound samples. Never get baffled with the science of it all because the magnets, the coil wire and the number of winds may get daunting. Your best bet is to listen and make your judgement from that. Luckily some companies will let you return your pickups if you aren't 100% pleased with the product.

If you've got a large amount cash burning a hole in your pocket you might instead choose to upgrade straight to a Gibson Les Paul Standard or even a 1959 VOS R9. If not, then change those pickups and listen to your Epiphone growl. It's really not hard.

The author has played in various bands throughout the years and owns a variety of electric guitars. He loves to customise his instruments and highly recommends the excellent replacement humbucker pickups and P90 pickups from TubGuitarPickups.co.uk


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Wednesday, July 13, 2011

The Zoom Recorder - A Critical Tool for All Musicians Who Want to Improve Quickly

If you are a serious musician and want to improve quickly, I recommend you seriously consider using a portable digital music recording device, such as a Zoom recorder. If you have never recorded yourself before, I can assure you that you will learn about aspects of your playing that you were never aware of before. It's a great way to quickly identify your strengths and weaknesses. When you are practicing, you are too bust concentrating on the music and mechanics of playing to really concentrate on what you really sound like to other people. When I first tried recording myself using my own personal favorite Zoom recorder, the Zoom H4N, I was amazed by how much I learned about my particular playing habits, including the good, bad and the ugly.

It's also a great tool for monitoring your improvement over time. When you first start a piece, record yourself and then record yourself at regular intervals after you have practiced. You can listen to the recording and quickly identify which parts your need to practice. You can even use the in-built metronome to practice a part slowly and then gradually increase the tempo. Or use the in-built tuner if you are having intonation problems. If you are preparing for an important performance, then you should definitely record yourself prior to the performance and listen critically to your performance while reading the music. Compare your recordings to recordings by professional musicians playing the same piece. This is a great way to really identify what you need to work on.

One of my favorite things to do with my Zoom H4N is multi-tracking. Find a duet, trio, quartet or larger ensemble piece and try recording all the parts. The H4N makes it very easy to synchronize all the parts. Besides being great fun, it's also a great way to learn ensemble skills such as the ability to listen carefully to all parts so that phrases start and end at the same time. You will also have to pay close attention to intonation otherwise the chords will not be in tune.

Using a digital recorder is not only important for individual musicians, it's also a vital tool for larger music groups (bands, choirs, orchestras etc). Record your rehearsals and performances and you will quickly identify what you need to work on.

A Zoom recorder, such as the Zoom H4N is very high quality portable recording device which is easy to use and very quick to set up. You don't need to carry out large pieces of expensive equipment with you to rehearsals. Another advantage of using these devices is that the music files can quickly be downloaded to a PC for further editing. You can create MP3 files which you can then e-mail or post on a website.

So if you're a musician, try using a portable digital recorder and see how useful a tool it is for yourself. There are many very high quality, inexpensive recorders on the market so go ahead, give it a try and see how fast you improve.

Jeff Binns is a euphonium player with over 30 years experience. He has played in some of the top brass bands in the UK and USA. My goal is to help fellow musicians understand the outstanding benefits of recording their practice sessions.

To learn more and to obtain 10 Free Practice Tips, please visit my website by clicking the link below.

Zoom Recorder.


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